Full Circle at the Merry Muse Folk Club, Canberra

After stepping off the plane in the morning back in Australia, my band had a gig that night at the Merry Muse Folk Club in Canberra, Australia. My body was telling me it was 07.00AM and I hadn’t slept all night, despite it being 9.00PM in Canberra. But it was a good crowd and we fired well off each other to make a good show. The audience was larger than usual and the evening had a really good feel to it. We were supported by vocal harmony group Humbug.

We played a great version of Farewell to Chernobyl and Trip to Pakistan - good Celtic tunes - and the folk club was nearly full - quite a contrast to some previous occasions.

It’s good to be home again after a fairly hectic two weeks away in Canada and USA, but it was also great to play in some wonderful sessions overseas.

Cheers
Jerry

 

Washington DC session - Nanny O’Brien’s

Last night saw me at a great session in Washington DC at Nanny O’Brien’s Pub on 3319 Connecticut Avenue NW. The session started at 9.00pm and there was a good mix of tunes I knew and new tunes to learn. They were warm and welcoming and the session leader, internationally renowned Brendan Mulvihill is a real gem - and he sure can play! His warm welcome and handshake showed him to be a true Limerick gentleman.

Again there was lots of curiosity about my pochette fiddle - playing the sessions is certainly a great way to meet people - and several recommended that I came along tonight to the McGinty’s pub - so, yes I’ll be there. Rob, one of the musicians even offered to bring along a spare violin as he found my pochette a little quiet at the session. And at the end of the evening I was given a lift back to the hotel.

At the end of the session I stopped and chatted with Brendan Mulvihill about Australia, the fiddle, the craic and Irish music - and I’ve told him the tea kettle’s always on if he should ever visit Canberra. Truly a great night

Cheers
Jerry

 

Ottawa: Celtic/Irish music session - Rasputin’s

Rasputin’s Cafe in downtown Ottawa has a great relaxed Celtic music session every Monday night - great crowd of people and very welcoming to this stranger from downunder!

This was the first real test of the travel pochette fiddle, and despite its boxy sound it was quite loud enough to be heard easily in the session. They played mainly old school stuff - which meant I knew most of the tunes, and generally had a great time.

The cafe owner had been there 30 years and was very knowledgeable about the local arts and literary scene, pointing out a Canadian author who was tidying her garden across the street, to a young German academic who had come to Ottawa doing research on Canadian writers.

So, if you happen to be in Ottawa on a Monday evening - Rasputin’s Folk Cafe is well worth checking out

Cheers
Jerry

 

Mile High Pochette Fiddle Club

1:00AM somewhere over the Pacific Ocean, just after crossing the Dateline at about 33,000 feet I put the pochette fiddle through its paces – with a mute. The aircraft – a Boeing 747-700 had plenty of room in the door bay by the galley for a few quiet tunes. I had no problems using the short ¼ size bow – even for slow airs. And the mute was very effective in ensuring the sound didn’t get over the ambient sound of the engines.

The flight attendant was concerned that it may be noisy as the other passengers were asleep, but after the first few notes those concerns were quickly allayed. Perhaps this is the first ‘mile-high’ pochette? Maybe this will be the start of a new movement – let’s see how many unusual places become pochette fiddle moments

The only difficulty I had was actually getting the thing back in my backpack afterwards – I dislodged the bridge and the sound-post fell over. It took me the best part of 45 minutes to re-seat it. Luckily the two sound holes were just big enough to get two fingers in to manipulate the sound-post. For future design modification I would enlarge these holes a little – my left index finger was rubbed raw. The alternative would be to provide struts like inside a mandolin, but the sound-post I think works better to carry the sound through to the back plate for extra volume.

Also, if I narrowed the body a little I could fit it inside a PVC tube thus ensuring there would be no knocking against the bridge.

With the scroll removed the overall fiddle length is now down to 22cm which just brings it within the international standard for a carry-on bag without sacrificing playable string length or the traditional placement of the tuning pegs.

At no time did I have any difficulty with Australian or US security checks on the bag – even with the tip of the fiddle poking out of the top of the bag.