The Full Circle CD has now arrived! It didn’t quite make it to the National Folk Festival, but it’s well worth the wait.
Full Circle CD
And all the efforts of recording last year, and the mastering and cover design have come together in a beautiful package (thanks to Melody Lane sound engineer Tamlin Tregonning, CD cover designer Sharon Boggon, and MadCD and all our friends and family who have supported us through this venture).
Full Circle CD
The CD is a representative sample of Full Circle’s repertoire and includes songs, tunes and acapella shanties.
Here is some info about the tracks and why we chose them
Belfast Mill is a timely tale of economic recession and the impact of the closure of a textile mill on the town.
Jim Jones is a song of convict transportation to New South Wales and the hardships faced – even in the journey – a tale of deterrence against crime.
Cliffs of Moher and Banish Misfortune are two of my favourite jigs
Country Life gives an idealised view of bucolic work and play – sung acapella (unaccompanied) and when performed live we make it more accessible to the deaf by singing in braille – with actions!
Star of the County Down is a tale of infatuation (ok lust) a timeless tale from a young man’s point of view.
Blackleg Miner is about the dangers of strike breaking and the dangers of exploitation inherent in not having a representative voice for the workers – especially on working conditions and health and safety (historically sorely lacking in the mining industry).
Da Eye Wifie, Spoot ‘o Skerry and Tongadale are a great set of Scottish reels – the first one was written by Angus Grant of Shooglenifty fame (yes we signed the APRA forms) and they are performed on hardanger fiddle.
Hot Asphalt is a tragi-comedy about pride in road making, and the dangers of hot asphalt for those who venture too close to the hot bitumen.
Blood Red Roses is a halyard shanty which tells of the fate of prostitutes found on board a ship after it leaves port – they were thrown overboard and the red dresses and petticoats were said to resemble rose petals – before the women drowned! It is sung acapella
Man You Don’t Meet Every Day – is a traditional boasting song that may well have been a cock-sure young lad’s view of his carefree lifestyle.
The Lachlan Tigers tells of a sheep shearing team that worked along the Lachlan River in Queensland, and how they worked their way from station to station and boasted about their prowess and speed in the shearing shed, and aspects of their larrakin behaviour when the came to town.
Spancel Hill is a nostalgic recollection of an Irish migrant to California during the potato famine of his homeland in Ireland.
250 to Vigo – Not traditional, but a great tune written by Angus Grant from Shooglenifty with our own arrangement. The tune was written to commemorate a journey Angus took across Europe to Vigo in former Yugoslavia, on a 250cc motorbike. The tune is played on the hardanger fiddle, and has an unusual rhythm.
Here is more of Sharon Boggon’s excellent cover design
Full Circle CD
Full Circle CD
Full Circle CD
And you can buy it direct from the band at http://lostbiro.com/fullcircle, from the band at gigs, or it will be available soon from your favourite download site, like iTunes.
This year it was about catching up with old friends. Some say if you stand in Trafalgar Square in London the whole world will pass you by, I say if you sit in the Session Bar at the National Folk Festival, the whole (folk music) world will stop by and say hello. It’s that kind of festival.
The international acts were amazing – I caught two concerts by Andy Irvine – late of Planxty – who, with his Australian friends entertained with songs of Irish Australia and the union movement
Andy Irvine and friends
The Session Bar is the melting pot of folk music – it provides a space for people form across the country or across the world to exchange tunes, be influenced by different styles and to make new friends and meet old acquaintances. It is also a space where the tradition gets passed form the older musicians to the younger ones.
Exchanging tunes at the National Folk Festival
I was performing with two acts – a roving stilt-walker set with Will o the Wisp with my daughter Eve and two NZ musicians James and Andrew. The crowd were responsive and in a festival mood
Will o' the Wisp
We had a great time, and the music helped to alert people that a stilt walker was fast approaching.
We played tricks too, like sneaking up (while playing reels) on people avidly looking at their programme and peering over their shoulder until they noticed they had been pounced on!
It was all in good fun and the weather was on our side – that time.
Later in the festival we had to contribute by leading sessions as the rain made stilt walking too dangerous.
There were plenty of roving acts around – other stilt walkers, buskers, circus acts and the ubiquitous Morris dancers.
It was good to see that women as well as men are taking up this tradition and there were mixed morris sets.
The Borderers from South Australia (the feature state) were amazing – bouncing around the stage with enormous energy. At one point a couple of them stormed out into the audience to encourage everyone to sing along or clap or get up and dance, and by the end of their bracket people were dancing down the front and in the aisles.
The danced around the stage like an hour long aerobics session!
My turn came again with a show at the Merry Muse Folk Club – we were the closing act for that night and while the audience wasn’t huge, they more than made up for that in enthusiasm for our music. It’s a pity our CD didn’t arive in time for the festival – we could have sold a heap of them!
Full Circle Band
Actually we were two thirds Circle – our bass player is overseas – but we managed to bring in Rick Saur (from Kangaroo Valley) to play bodhran.
One of the best moments was meeting Mick Doherty again. Mick is from Western Australia – at least he lives there but he is a very fine Donegal fiddle player, and nephew of the great John Doherty. He was brought over to the festival sponsored by the National Library of Australia who interviewed him for the national archive. What most people don’t know is that 25 years ago I took some fiddle lessons with him to learn how to decorate tunes in the Donegal style. We had a great session together on the last evening of the festival.
Luke Plumb and Peter Daffy gave a couple of great concerts and I loved Luke’s version of O’Carolan’s Concerto. He was a real dynamo in the session bar too. How does anyone fit THAT many notes into a tune?? What an awesome mandolin player!
Luke Plumb and Peter Daffy
Anyhow, thanks for the tunes and the music sessions folks – see you here again next year!