Ottawa: Celtic music session - Daniel O’Connell’s Pub

The roadworks doesn’t make the Daniel O’Connell pub (at 1211 Wellington St Downtown Ottawa,Canada) easy to find, and when you do, it looks like an average punters pub. But don’t let appearances deceive - this is not your trendy boutique brewery, but the genuine article. And Thursday night saw me heading down at about 8.30pm to find a seat. And the place was almost empty - until 9.00pm when one by one people came in - mostly fiddlers with a couple of squeeze boxes, flutes, and a mandolin for good measure, and a couple of bodhran players. One of the latter had a couple of fine tuneable bodhrans with lovely tone - and he wasn’t a bad player himself.

I was introduced around to all the musicians as they arrived and was told that another Aussie had stopped by last week - from Sydney - did I know him? His name was Tom… I laughed and said “no, but I know his cousin who lives in Perth!”

They were another very friendly bunch - and very welcoming of visiting musicians. I was warned this was a louder session than Monday night’s one but again the pochette could be heard clearly. I missed not having a shoulder rest though - something to think about for the next one.

Despite the relaxed demeanour of the musicians - there was little relaxed about the music which was good and lively. By 10.00pm the pub was packed and people were clapping and replenishing our Guinness supplies. We sang a few songs, but it was mostly again the older traditional tunes - so I was well up with most of the repertoire. I sang “the Parting Glass” as a toast to the group and they seemed to appreciate it.

There was a particularly fine Cape Breton fiddler there, but there was a good range of players from relative beginners to some very professional sounding players.

It was a great night and we finished up around midnight. Again may thanks to the Ottawan folkies for making me feel welcome in their session.

Cheers
Jerry

 

Ottawa: Celtic/Irish music session - Rasputin’s

Rasputin’s Cafe in downtown Ottawa has a great relaxed Celtic music session every Monday night - great crowd of people and very welcoming to this stranger from downunder!

This was the first real test of the travel pochette fiddle, and despite its boxy sound it was quite loud enough to be heard easily in the session. They played mainly old school stuff - which meant I knew most of the tunes, and generally had a great time.

The cafe owner had been there 30 years and was very knowledgeable about the local arts and literary scene, pointing out a Canadian author who was tidying her garden across the street, to a young German academic who had come to Ottawa doing research on Canadian writers.

So, if you happen to be in Ottawa on a Monday evening - Rasputin’s Folk Cafe is well worth checking out

Cheers
Jerry

 

Mile High Pochette Fiddle Club

1:00AM somewhere over the Pacific Ocean, just after crossing the Dateline at about 33,000 feet I put the pochette fiddle through its paces – with a mute. The aircraft – a Boeing 747-700 had plenty of room in the door bay by the galley for a few quiet tunes. I had no problems using the short ¼ size bow – even for slow airs. And the mute was very effective in ensuring the sound didn’t get over the ambient sound of the engines.

The flight attendant was concerned that it may be noisy as the other passengers were asleep, but after the first few notes those concerns were quickly allayed. Perhaps this is the first ‘mile-high’ pochette? Maybe this will be the start of a new movement – let’s see how many unusual places become pochette fiddle moments

The only difficulty I had was actually getting the thing back in my backpack afterwards – I dislodged the bridge and the sound-post fell over. It took me the best part of 45 minutes to re-seat it. Luckily the two sound holes were just big enough to get two fingers in to manipulate the sound-post. For future design modification I would enlarge these holes a little – my left index finger was rubbed raw. The alternative would be to provide struts like inside a mandolin, but the sound-post I think works better to carry the sound through to the back plate for extra volume.

Also, if I narrowed the body a little I could fit it inside a PVC tube thus ensuring there would be no knocking against the bridge.

With the scroll removed the overall fiddle length is now down to 22cm which just brings it within the international standard for a carry-on bag without sacrificing playable string length or the traditional placement of the tuning pegs.

At no time did I have any difficulty with Australian or US security checks on the bag – even with the tip of the fiddle poking out of the top of the bag.

 

The Silver Spire

This Irish tune is driving me nuts - but it’s the next one on my list to learn after Paddy Ryan’s Dream which I’ve nearly learnt.

Last week it was the Fleur de Mandragore - a great tune that I heard at the National Folk Festival this year. I’m still having trouble with Tommy’s Tarbukas - but I’m getting there on that one too

Cheers
Jerry